Jessica Farris needs five hundred dollars more than she needs to know what she is signing up for. She is twenty-eight, does makeup for other women's parties in New York, and wires money home to Pennsylvania every month for a sister whose accident she still counts as her fault. So when a client's phone shows a confirmation for a paid psychological study, Jess takes the slot. She sits in a room at NYU and types answers to questions no employer has any business asking. Could you lie without feeling guilty. Have you ever badly hurt someone you love. She answers honestly, which is the mistake.
The device that makes this book is the narration. Jess speaks in the first person, present tense, scrambling. Dr. Lydia Shields addresses her in the second person, in a register somewhere between clinical notes and a love letter. You arrive at 4:00. You have chosen the gray dress. Four hundred pages of being called you by someone who is watching you is unnerving in a way no amount of stalker plotting could match, and Hendricks and Pekkanen keep the temperature exactly low enough. Dr. Shields is never shrill. She pays generously, listens beautifully, and issues each new assignment as though it were a kindness.
The escalation is well managed. The study leaves the exam room, becomes errands, then becomes a test involving a man in a hotel bar, and the reader works out what is happening some way before Jess does, which is the point of the design. It does ask for latitude. A practicing psychiatrist running this particular experiment on this particular subject is not a premise that survives close inspection, and there is a stretch in the middle where the assignments repeat their shape and the plot marks time. The authors are betting that the voice carries it. Mostly the bet pays.
Why you should read
- Psychological thrillers built on manipulation
- Duelling narrators with competing accounts
- Ethics experiments and morality-test premises
- Antagonists who are never once loud
What to expect
- Second-person narration from one viewpoint
- Short chapters and escalating assignments
- A premise that asks for some latitude
- Reveals stacked into the last quarter
What holds up best is the money. Jess keeps saying yes because the checks are real and her rent is real, and the novel is clear-eyed about how cheaply a person in debt can be bought into something she can see is wrong. Dr. Shields understands this too and never has to mention it. The final quarter turns over faster than it strictly needs to, and one reveal lands harder than the rest. Setup honored, no cheating. The last exchange between these two women is the coldest thing in the book, and neither of them says anything that would sound unusual overheard from the next table.