A daily review of books worth your time
More like this
As an Amazon Associate we earn from qualifying purchases.
Nine luminous stories from the most thoughtful science fiction writer alive, each one a fully built thought experiment that arrives at something genuinely moving about free will, memory, and how we choose to live. Quietly profound.
The Review
Ted Chiang writes so little and so well that each new story feels like an event, and this second collection confirms what readers of his first already suspected: that he may be the finest writer of ideas working in any genre. These nine stories are science fiction in the truest sense, built around a single rigorous premise and then followed, patiently and humanely, to its emotional conclusion. He is interested in big questions, free will, time, the soul, but he never lets the philosophy crowd out the people. Each story is built like a beautifully engineered machine, and yet the thing it is finally engineered to do is make you feel something true about being alive.
The craft on display is a particular kind of magic: Chiang invents a world, explains exactly how it works, and the explanation itself becomes the source of feeling. In "The Merchant and the Alchemist's Gate," a time-travel tale told in the cadence of the Arabian Nights, the mechanism is fixed and unchangeable, and somehow that fixedness becomes a meditation on acceptance and grace. "The Lifecycle of Software Objects," the long centerpiece, asks what we owe to digital beings we have raised, and turns a premise that sounds dry into one of the most tender stories about parenthood I have read. "Anxiety Is the Dizziness of Freedom" uses a device that lets you glimpse the lives of your parallel selves to ask whether our choices matter at all.
What I find moving is Chiang's fundamental decency. He is not a cynic or a doom-monger; he uses the machinery of speculation to argue, gently and rigorously, that meaning is something we make rather than something we are owed. Even his bleakest premises arrive at a kind of hard-won consolation. The prose is clear and unshowy, a window rather than a stained-glass pane, and it trusts the ideas to carry the weight.
The collection is not flawless. A couple of the shorter pieces read more as elegant briefs than as fully dramatized stories, and Chiang's cool, expository style means the warmth sometimes arrives through the intellect rather than the heart, which won't suit readers who want their fiction to grab them by the collar. This is patient, cerebral work that rewards readers willing to think alongside it. Bring that willingness and the payoff is enormous, an intellectual pleasure that keeps tipping over, almost shyly, into genuine emotion. Chiang asks more of his reader than most, and he repays the effort more fully than almost anyone.
Read it for the rare pleasure of fiction that respects your intelligence completely and still finds its way to your feelings. Few writers can make a logical argument feel like a revelation; Chiang does it again and again, and the result is some of the most quietly profound short fiction of the century so far.
Reviewed by Avery
As an Amazon Associate we earn from qualifying purchases.